Daniel Bromfield

At 50, turning a critical eye on 'A Hard Day's Night'

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More than any other Beatles album, A Hard Day's Night — which turns 50 this week — embodies the cliches surrounding the band. The cheesy harmonies, the "whoa"s and "yeah"s, the sappy love songs, the teen-idol cuteness: All are there in abundance. It's also the most obvious manifestation of the John/Paul dichotomy. Though the idea of John as the bad boy and Paul as the author of silly love songs is largely accepted as a myth by Beatles fans, it's a lot closer to the truth than folks give it credit for, and on no album is it more clear than A Hard Day's Night.Read more »

Mac DeMarco underwhelms at Amoeba — until he busts out the covers

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Mac DeMarco has one of the most charismatic, clearly defined personas of anyone in indie rock. He chain-smokes, cross-dresses, makes out with interviewers, and -- in what might be the key piece of apocryphal Mac mythology -- once stuck his thumb up his ass at a gig. Read more »

Live Shots: Burger Boogaloo 2014, Take #1

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About 30 minutes into this year's Burger Boogaloo, I noticed a guy walking around in a Tool shirt. Ten minutes later, I saw another dude walking around in a Meshuggah shirt. This wouldn't be so remarkable at most concerts, but it's worth keeping in mind that this was ostensibly an indie rock concert. Most fans of progressive metal wouldn't dare enter that often rigid and snobbish universe, just as most indie fans would consider those heavy-but-impeccably-produced bands well outside the accepted parameters of "cool."Read more »

Push the Feeling party organizers launch Push the Feeling, the record label

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If you've ever walked out of a dance party wishing you could take the party home with you, Push The Feeling has a solution to your problem. For the last two years, Kevin Meenan and Drew Marcogliese have hosted dance parties at the Lower Haight's Underground SF nightclub under that name; they've hosted all manner of DJs, from local heroes like Giraffage to blogosphere faves like YACHT and Les Sins (aka Toro Y Moi).Read more »

A farewell to Death Grips: The Sacramento hip-hop group's most memorable moments

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"We are now at our best and so Death Grips is over," announced a napkin posted to Death Grips' Facebook page yesterday afternoon.  The sudden dissolution of one of the most controversial, confrontational, and influential hip-hop groups of the 2010s so far spurred an outpour of dismay among music fans. But anyone who's been keeping a tab on Death Grips shouldn't have been too surprised. Read more »

Future, the Auto-Tune rapper du jour, had a very lazy night at the Regency

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Future, America's Auto-Tune rapper du jour, is in a cushy position. His recent album Honest is one of the year's most critically acclaimed rap albums so far, and it's moved enough units to establish him as a major presence on 2014's hip-hop scene. Hip-hop fans know who he is, as do a lot of indie kids who've stumbled across fawning reviews of his work online. But he's not yet a star.Read more »

'Purple Rain' at 30

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Just over a year ago, Adam Tod Brown wrote a great article for Cracked called "4 Classic Albums That Get More Praise Than They Deserve." Though it contained as much Yoko Ono-bashing as you'd expect from a website as frequently fratty as Cracked, it made a great argument for Ringo's self-titled as the best solo '70s Beatles album and contributed substantially to the recent critical revival of Neil Young's On The Beach. The thing that interested me most, however, wa Read more »

Your latest SF gentrification soundtrack: Cold Beat, Thee Oh Sees, Violent Change, and more

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Is San Francisco doomed?  The legendary SF punk band Crime said so 35 years ago on their album San Francisco's Doomed. Yet with tech money flowing into San Francisco and musicians being priced out of the city, the phrase has taken on a new resonance among those musicians who have stayed in town.Read more »

Summer spins

Quick-takes on new releases

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BORIS

NOISE

(SARGENT HOUSE)

Boris have been dabbling so much in pop lately it's tempting to look at the band's latest album, Noise, as a return to their sludge-metal glory days. There are only eight songs, its title is appropriately hostile, and the dark gray cover looks formidable compared to the white-hued, glamorous art on the last few Boris records. But remember: This album is called Noise. Not Metal, not Amps Up To 11. Not even Heavy Rocks, the name given to two of Boris's most metallic albums. Noise.Read more »

Snap Sounds: Lone

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LONE
REALITY TESTING
(R&S RECORDS)

Matt "Lone" Cutler's heart belongs to hip hop.  It's easy to forget this given how the British producer only started to attract critical notice after switching from the post-J Dilla instrumentals of his early albums to a style that had more in common with house and rave music. The transition wasn't terribly unnatural given that his sonic trademark was rich synth chords, a sound rare in hip hop but prevalent in dance.  He kept those intact; he just switched up the rhythm and instantly went from generic beatmaker to underground dance hero, producing one of 2012's best electronic albums in Galaxy Garden. Read more »