Dance

May flowers

Smuin Ballet presents a noteworthy 'Bouquet'

|
(0)

arts@sfbg.com

DANCE Smuin Ballet has grown up. Perhaps that should come as no surprise, since the company celebrates its 20th anniversary this November. While the troupe, now 17 strong, has always been engaged in showing what ballet can be without huge production values (and huge budgets), the company is lately doing it better than ever.Read more »

C who we R

Multiple premieres highlight Company C Contemporary Ballet's spring program

|
(0)

Take my hand: Our trip to the Follies same-sex dance-off

|
(0)

Had TLC's Dance Moms lead me astray? I expected cut-throat twirlers and an atmosphere you could cut with a sharpened acrylic nail when I arrived at the April Follies same-sex dance competition on April 27.Read more »

Take the plunge

Falling for FACT/SF's 'Falling'

|
(0)

arts@sfbg.com

DANCE FACT/SF's new Falling is a conceptually demanding, convincingly realized 70-minute sextet that annoys, puzzles, and ultimately persuades. Choreographer Charles Slender set his work on six beautifully-trained, well-rehearsed women. He also engaged excellent collaborators.Read more »

Bass and space

Alonzo King LINES Ballet triumphs with a 30th anniversary collaboration

|
(0)

arts@sfbg.com

DANCE Watching premieres by artists with track records is almost as satisfying as encountering pieces by those unknown to you. With the first, you wonder what else they have come with; with the second, you look for a voice that might grow to find even greater resonance.Read more »

Conflicted dictator

'The Madness of the Elephant' uses music and dance to chart Guinea's political history

|
(0)

DANCE "Next door," you are told in the packed Senegalese restaurant in the heart of the Mission. "Back there," you hear, as a hand points in a very dark, very empty bar you enter through an unmarked door. What's "back there"? It's a large space, perhaps formerly used for storage, lit by blinking Christmas tree lights and two blinding spots. You wonder what a former African dictator would have thought about a celebration of his life being created in such circumstances. Read more »

Who am I?

Choreographer Faye Driscoll talks 'You're Me'

|
(0)

arts@sfbg.com

DANCE CounterPULSE always makes a point of thanking its volunteers. One can only hope that they'll turn up en masse to help clean up after Faye Driscoll and Jesse Zaritt step off the stage this coming weekend. Their You're Me is not exactly what might be called a clean show. Still, if the work-in-progress preview, presented at the end of their residency at the Headlands Center for the Arts almost two years ago, is any indication, the mess is more than worth it. After all, most of us will recognize a mess when we see it.Read more »

Game on

Emerging choreographers Katharine Hawthorne and Tanya Bello offer auspicious premieres

|
(1)

arts@sfbg.com

DANCE Unlike more commercially competitive markets, the Bay Area is, fortunately, still a place where young choreographers have the freedom to grow. This past weekend, two who are primarily known for dancing other people's works showed their own promising premieres.Read more »

Live Shots: 'Dance + Diaspora' at ODC Theater

|
(2)

Strong drum beats, hip shimmies laden with bells and voices coming together in song. This show has it all. Presenting "Dance + Diaspora" two performances this Friday and Saturday -- pics above are from the dress rehearsal -- by choreographers Jill Parker (with her Foxglove Sweethearts troupe) and Tania Santiago (with her Movendo con Capoeira troupe)   -- a showcase of steamy belly dancing and heart-pumping Capoeria.

Read more »

Black Choreographers Festival takes flight

|
(0)

This weekend, go watch some dance. Sam Love and I stopped by Dance Mission this week to check out a final rehearsal of a piece choreographed by Gregory Dawson and left feeling elated. Dawson has gathered a group of ridiculously limber and supremely talented dancers for refined, minimalist, yet achingly beautiful pieces that pulse with a strong, affirming spirit. His company is just one of several featured at the Black Choreographers Festival, a celebration of African American dance, art and culture. The piece we saw clearly stemmed from classical ballet roots, but also found inspiration in contemporary dance, creating a performance that displayed awe-inspiring athleticism (those extensions!) as well as thought-provoking drama, tension, and story. Go get your tickets already. It will be fabulous! Read more »